Video

FaceTime from Acadia

A friend of mine shared this video with me. It focuses exclusively on the Schoodic Peninsula, which is nice considering schoodic merely shows up as a footnote for most things talking about Acadia. This definitely heightened my anticipation of my time in the park!

Also, today I got a Facetime call from that same friend, who was at that very moment standing on Schoodic Point. The surf was particularly rough due to the tropical storm off the coast. In fact, they said there was quite a crowd of visitors that had flocked to wave and storm watch. Below is the screenshot I took from that call, unfortunately I didn’t get any of the waves crashing in it. They were pretty spectacular.

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Gallery

Countdown to Acadia 2

So, I’m about a month out from heading to Acadia for a couple weeks for the artist residency. I don’t think it’s really sunk in yet. For so long it has been that thing that will be happening in a long time and recently I’ve been so focused on getting all my classes up and running for the start of the semester that I haven’t really had much time to think or plan. I’m sure once the semester starts I won’t have any extra time, so it’ll probably only sink in once I’ve actually started driving north.

There is one thing I’ve been mulling over a little though, and that is the question: how mobile am I going to be? Am I going to be traversing the whole park, hitting every hot spot at the golden hours? Or am I going to stay stationary as much as possible, and settle into the landscape directly around the Schoodic Institute?

I think my residency time in Ireland taught me to really appreciate a slower pace of creating. I was there for a month and didn’t have a car. All my favorite work that I created was walking distance from where I was living. The same was true in Toronto.


In Rocky Mountain I did travel more. I think I was trying find deeper wilderness areas where there were very few or no other people. I’m happy with what I was able to accomplish in my time there, but it had a very different quality than the other two. More hurried, less contemplative.

So, it’s clear which way I’m leaning right now. Staying close to home, really spending time in slow, careful observation. But at the same time, I feel compelled to go and see the most iconic sights. You know, the ones that have been shot a million times before from all different angles in every feasible lighting scenario. So yes, I want to see them, but realistically, what am I going to do that looks significantly different than the thousands of shots that already exist? 

Yes, I’ll visit those locations, but I’m not going to make it my focus. I will move slow, observe details and respond to the space that is closest to me, in order to make work that is most in tune with the park itself.

And on a final note, I am running a small pre-order of a few select items that I’ll be producing during the residency. Click here to take a look and find something you’d like to order.