I’m all about getting people easy access to photography and getting them quick wins in terms of making simple projects that look great. If that sounds like something you’d be interested in, then you’re in the right place. The Chlorophyll Process in alternative photography is accessible to anyone that can get their hands on some greenery, and simple enough to understand, that even children can participate. I’ve also decided to pair it with a text-based project in the form of hand lettering, which might help to remove any intimidation from traditional photography rules.
A quick rundown
In it’s simplest form, the chlorophyll process is a bleaching process. A leaf is placed outside in the sun and an object (in our case, a printed word on a transparency) is placed on top. Anywhere that is exposed to the sun is bleached over time, while anywhere that was covered is not affected. The one caveat is that it does take time: at least several hours to potentially several days, depending on your geographic location and the time of year.
I’ve been wanting to try this process for a while, and I’m happy that I finally got around to it. It’s still very much an experimental process for me, and I’d probably need to make about 100 more prints before I feel completely comfortable. Still, I thought what I learned in the process could be helpful to you as your starting.
And now, the video
If you’d like to get the rest of the videos in this course, head over to my Skillshare page. Skillshare is an awesome platform that I personally have used to learn all sorts of things. They run great deals for your first 3 months of membership, during which you have access to thousands of great videos on a wide range of creative topics, including mine. If you’re at all interested in continuing to learn and grow as a creative, this platform is well worth being a part of. And who knows, maybe you’ll get inspired to teach your own class someday.
Hello there, you’re probably here because you want to learn more about alternative photography and specifically cyanotype. There is a ton of great free information out there on photographic alt processes, but often it is so much it can feel overwhelming. That’s why I’ve created a series of classes aimed at getting a beginner up and running in the cyanotype medium.
As you can see, this is cyanotype 102. If you want the absolute basics, I’d recommend going to my post, Cyanotype 101. There you’ll learn the foundations of cyanotype as well as how to use pre-coated cyanotype papers to make your first cyanotypes. In this class, we’ll take things to the next level and learn how to actually mix your own paper and hand coat your own papers.
And why would you want to do that?
Well, to a certain degree it is personal preference, but many people would also say it opens up possibilities artistically. Ultimately, mixing your own chemistry and providing your own paper gives you more control over the final aesthetic, and ultimately, control is what allows you to execute your artistic vision. So if you’re interested in alternative processes at all, I’d recommend mixing your own to get the full effect of the medium.
On to the video!
If you want to continue this course, the rest of the videos are available through Skillshare. If you’ve never heard of it, Skillshare is a video course platform aimed especially at creative projects. I now have several courses available and plan to continue adding more. With every class, I offer you can post the project you were able to make as a result. I’d love to see your cyanotype work and help you improve your skills as an alternative photographer.
To continue on to the rest of the class, click here.
I’ve just completed another Skillshare class. Cyanotype 103: printing from a digital negative is the last class in my cyanotype foundations series. Together they lay the groundwork for someone to understand how the process works and make their own prints using either pre-coated paper or mixing and coating their own chemicals. With the addition of this most recent class, they are now also prepared for either photogram style prints or actual photographic prints from printed digital negatives.
One of the other other important skills introduced in this class is how to make a test print. Understanding how test prints work allow you to really refine your exposures and make it possible to have very consistent results.
Next on my list of classes is how to make and use paper negatives with cyanotype and also a little bit of a deeper dive into how to really perfect your digital negative so that your final print is as good as it can be.
So, if you haven’t checked out my classes yet, now is a great time. If you sign up through one of my links you get 2 months access to the entire library of classes for FREE! Go learn a new skill.
If anyone is in Fort Collins, Colorado, during the month of October stop by The Center for Fine Art Photography and see Ben’s series of 4 pinhole photographs! They will be on display as a part of the exhibition, “Low-Tech”, which focuses on alternative photography work. (Alternative Photography encompasses non-mainstream photographic processes, i.e. no silver, no standard digital process.) I’ll post more information, including the online gallery, later.